Solo Exhibitions

Grey light. Left and right back, high up, two small windows, Fogo Island Gallery, Fogo Island, Canada, September 2014 – April 2015

To enable me to fix my attention on any one of these symbols I was to imagine that I was looking at the colours as I might see them on a moving picture screen., Modern Art Oxford, February – April 2014

The sound I think it makes is, is that whispering sound, to me it sounds, it almost sounds, um, uh, what’s the word I’m thinking? Um, like historic, not historic, but, um, oh: a legend, it, it sounds like a legend, you know, when you think of a legend or something way back in the past you get that, that, it sounds like that to me, like this legend or somebody’s, this whispering sound: it’s a legend., Artspeak, Vancouver, Sept / Oct 2010

No, there was no red., MaxMara Art Prize for Women 2007–2009 Whitechapel Gallery, London, September 2009 / Collezione Maramotti, Reggio Emilia, Italy, September – October 2009

The sound I think it makes is, is that whispering sound, to me it sounds, it almost sounds, um, uh, what’s the word I’m thinking? Um, like historic, not historic, but, um, oh: a legend, it, it sounds like a legend, you know, when you think of a legend or something way back in the past you get that, that, it sounds like that to me, like this legend or somebody’s, this whispering sound: it’s a legend., The Showroom, London, May/June 2007

Thunder, Media Art Bath, Central United Reformed Church, Bath, August / September 2005

Selected Group Exhibitions

The Transported Man, Eli and Edythe Broad Art Museum, Michigan State University, April – October 2017

WAGSTAFF’s, Mostyn, Llandudno, February – June 2017

KALEIDOSCOPE: It’s Me to the World, Modern Art Oxford, August – October 2016 

The Geometry of Knowing, SFU Galleries, Vancouver, Canada, March – May 2015

Aller Dehors, La Criee Centre for Contemporary Art, Rennes, France, December 2014 – February 2015

Listening: Hayward Touring Curatorial Opening 2014, BALTIC Project Space B39, Newcastle; The Bluecoat, Liverpool; Site Gallery and Sheffield Institute of Arts galleries, Sheffield; Firstsite, Sheffield, September 2014 – February 2016

The Intellection of Lady Spider House, Art Gallery of Alberta, Edmonton, Canada, September 2013 – January 2014

Love in a Cold Climate, S1 Artspace, Sheffield, March – May 2013

From Triple X to Birdsong: In Search of the Schizophrenic Quotient, Kayne Griffin Corcoran, Los Angeles, January 2013

A form is something which allows something else to be transported from one site to another. Murray Guy, New York, July 2011

Thunder (exhibition/performance), exhibited as part of Contemporary Art Society Centenary Programme, Pier Arts Centre, Orkney October 2010

Chasing Napoleon, Palais de Tokyo, Paris, October 2009 / January 2010

Le chant de la carpe, Parc Saint Leger, Pougues-les-Eaux, France, June/August 2009

The Quick and the Dead, Walker Art Center, Minneapolis, April / September 2009

From the corner of the eye: the extra-infra-ordinary, galerie schleicher+lange, Paris, Jan-Feb 2009

Nought to Sixty, ICA, May – October 2008

The Moment You Realise You Are Lost, Johann Koenig, Berlin, July 2007

Koln Show 2 ‘what will be told of today tomorrow’, European Kunsthalle, Cologne, Germany, April 2007

Don Quijote, Witte de With Center for Contemporary Art, Rotterdam, the Netherlands, April 2006

Live Art at the South London Gallery – Hannah Rickards: Thunder / Phil Coy: Test Signal, South London Gallery, London, March 2006

Publications

Grey light. Left and right back, high up, two small windows, Sternberg Press/Fogo Island Arts, 2016 (authors: Melissa Gronlund, Will Holder, Alexandra McIntosh, Nicolaus Schafhausen, Hannah Rickards)

To enable me to fix my attention on any one of these symbols I was to imagine that I was looking at the coours as I might see them on a moving picture screen., Modern Art Oxford, 2014 (authors: Paul Hobson, Sally Shaw, Isla Leaver-Yap, Hannah Rickards and Adam Chodzko)

Awards / Fellowships / Residecies

2015: Philip Leverhulme Prize in Visual and Performing Arts

2008/2009: Winner, Max Mara Art Prize for Women in Collaboration with the Whitechapel

2010: Gasworks International Fellowship, SOMA, Mexico City

2011: Residency, Fogo Island Arts, Fogo Island, Newfoundland, Canada

2013/14: Artist in Resience, Northwest Cambridge, Department of Earth Sciences, Cambridge University